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Applying: to Derrida: What might such an extraordinary phrase mean? How are we to read its many folds, its strange, enigmatic grammar? Who does the applying? To whom? In what cases does Derrida apply, and why should scholars apply (themselves) to Jacques Derrida, today, more than ever? In order to find possible answers to such questions, all prospective applicants should apply within to this extraordinary collection of essays, which provides some of the most innovative insights and radical departures in the field of Derridean studies.
Striking out from a number of new headings and in a number of new directions each of the essays in this collection pushes at the borders of their topics, disciplines and ways of thinking, providing innovative and inventive insights into the work - and application - of Jacques Derrida on a diverse range of themes including Irish identity, communication, ethics, love, tele-technology, Victorian studies, the limits of philosophy, translation, otherness and literature, demonstrating that, today, despite repeated accusations over recent years that the work of Derrida has become passe, there is more vitality and spirit in engaging with the writings of Derrida than ever before. This collection of internationally renowned schol ars and fresh young voices gathered here make a spirited challenge to both the dogmas of conventional 'deconstruction' while also making serious demands on those who write off Derridean thought as endless wordplay and pointless punning. This, therefore, will not have been 'deconstruction'. Those with narrow intellectual perspectives need not apply.
Applying: to Derrida: What might such an extraordinary phrase mean? How are we to read its many folds, its strange, enigmatic grammar? Who does the applying? To whom? In what cases does Derrida apply, and why should scholars apply (themselves) to Jacques Derrida, today, more than ever? In order to find possible answers to such questions, all prospective applicants should apply within to this extraordinary collection of essays, which provides some of the most innovative insights and radical departures in the field of Derridean studies.
Striking out from a number of new headings and in a number of new directions each of the essays in this collection pushes at the borders of their topics, disciplines and ways of thinking, providing innovative and inventive insights into the work - and application - of Jacques Derrida on a diverse range of themes including Irish identity, communication, ethics, love, tele-technology, Victorian studies, the limits of philosophy, translation, otherness and literature, demonstrating that, today, despite repeated accusations over recent years that the work of Derrida has become passe, there is more vitality and spirit in engaging with the writings of Derrida than ever before. This collection of internationally renowned schol ars and fresh young voices gathered here make a spirited challenge to both the dogmas of conventional 'deconstruction' while also making serious demands on those who write off Derridean thought as endless wordplay and pointless punning. This, therefore, will not have been 'deconstruction'. Those with narrow intellectual perspectives need not apply.
Notes on Contributors - Key to Abbreviations - Preface and Acknowledgements - Introduction; J.Brannigan, R.Robbins & J.Wolfreys -X; G.Bennington - Expecting the Unexpected in Coetzee's Master of Petersburg and Derrida's Recent Writings; D.Attridge - 'And One Thing Knows the Flower': Whistler, Swinburne, Derrida; R.Robbins - Writing DeTermiNation: Reading Death in(to) Irish National Identity; J.Brannigan - A Note on a Post Card: Derrida, Deronda, DEeguy; J.Wolfreys - The Terror of the Law: Judaism and International Institutions; G.Banham - Incommunication: Derrida in Translation; K.Littau - Justice: the Law of the Law; B.Belay - Assuming Responsibility: Or Derrida's Disclaimers; M.Patrick - Derrida's Others; J.H.Miller - (Touching On) Tele-Technology; R.Luckhurst - Derrida and British Film Theory; A.Easthope - Derrida on Television; P.Kamuf - 'As if I were dead': An Interview with Jacques Derrida - Works Cited - Index
Julian Wolfreys is Professor of Modern Literature and Culture at Loughborough University, UK. He was previously Professor in Literature at the University of Florida, USA. His teaching and research is concerned with 19th- and 20th-century British literary and cultural studies, literary theory, the poetics and politics of identity, and the idea of the city. He is the series editor of Transitions and has written many course texts for Literature students, notably The English Literature Companion.
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