'Niven Govinden's Diary of a Film, his sixth novel, is also his best yet. Smart, sexy and cinematic (in many senses), it is a love letter to Italy and to film' Observer'Immersive . . . This is a wise and skilfully controlled novel that can be read in an afternoon, but which radiates in the mind for much longer' Financial Times'A beautiful, poignant novel of love and longing' TelegraphAn auteur, together with his lead actors, is at a prestigious European festival to premiere his latest film. Alone one morning at a backstreet cafe, he strikes up a conversation with a local woman who takes him on a walk to uncover the city's secrets, historic and personal. As the walk unwinds, a story of love and tragedy emerges, and he begins to see the chance meeting as fate. He is entranced, wholly clear in his mind: her story must surely form the basis for his next film. This is a novel about cinema, flaneurs, and queer love - it is about the sometimes troubled, sometimes ecstatic creative process, and the toll it takes on its makers.But it is also a novel about stories, and the ongoing question of who has the right to tell them.
'Niven Govinden's Diary of a Film, his sixth novel, is also his best yet. Smart, sexy and cinematic (in many senses), it is a love letter to Italy and to film' Observer'Immersive . . . This is a wise and skilfully controlled novel that can be read in an afternoon, but which radiates in the mind for much longer' Financial Times'A beautiful, poignant novel of love and longing' TelegraphAn auteur, together with his lead actors, is at a prestigious European festival to premiere his latest film. Alone one morning at a backstreet cafe, he strikes up a conversation with a local woman who takes him on a walk to uncover the city's secrets, historic and personal. As the walk unwinds, a story of love and tragedy emerges, and he begins to see the chance meeting as fate. He is entranced, wholly clear in his mind: her story must surely form the basis for his next film. This is a novel about cinema, flaneurs, and queer love - it is about the sometimes troubled, sometimes ecstatic creative process, and the toll it takes on its makers.But it is also a novel about stories, and the ongoing question of who has the right to tell them.
Niven Govinden is the author of six novels. Diary of a Film was longlisted for the Gordon Burn Prize and is currently being developed for the screen. This Brutal House was longlisted for the Jhalak Prize and shortlisted for the Polari and Gordon Burn Prizes.
Diary of a Film is an achingly intimate novel--tender and wise like
Rilke's Letters to a Young Poet through the lens of Luca
Guadagnino. Govinden drops us into the fray of an Italian film
festival only to reveal a secret garden of quiet and stolen moments
with a director whose film is about to premiere. In hotel rooms,
abandoned buildings, and in a whisper in front of the international
press corps, joy blooms, ideas are born, liberties are taken. Trust
holds it all afloat. A stunning meditation on the art of creation
and the nature of the artist
*Saskia Vogel*
Diary of a Film is about how art ravages and redeems. It is about
the responsibility artists bear both for their art and the world
that must contain it; about the imperative to create something
substantial in a world that moves too quickly to capture beauty to
one's satisfaction; it is about living an ideal, committing to a
principle whatever the potential cost, leaping into love and
trusting that it will hold you
*Stephen Kelman, author of Pigeon English*
Vicariously I experienced again the freedom to travel and visit a
European city just to catch an exhibition, go dancing or merely
escape the mundane for a weekend. Diary of a Film is about seeing
the familiar in new ways, finding friends wherever we are and
coming to terms with the past being the past. Set amongst the
gourmet surroundings of a Northern Italian film festival, it reads
like an elegy for a just-gone era
*Paul Mendez, author of Rainbow Milk*
A wonderful mediation on why we tell stories, and who gets to tell
those stories - and the grief of your masterpiece belonging only to
its audience once it's finished. Sentence by sentence, one of the
most beautiful novels I've read all year
*Nikesh Shukla*
A meditation on film-making, art, grief and privacy. Constructed
with the skill of a watchmaker, with a precise, consistent pitch of
intensity
*Keith Ridgeway*
Precision engineered European modernism from a master stylist. It
walks us into a luminous and loving conversational drama, rich with
complex erotics and interwoven private agonies. He writes
exquisitely about art making, about obsession and responsibility.
It's a gorgeous novel
*Max Porter*
Govinden has created a work of taut and enveloping beauty, which
gets to the heart of what it is to live an artistic life caught in
the never-present of the piece just made and the piece as yet
uncreated
*Andrew McMillan*
A serious, elegant and elegiac novel: an evocative tribute to the
lost world of high cinematic glamour and a lament for the artists'
struggle towards greatness. When the time comes again, this is the
book I'll carry to read during days spent wandering around the
grandeur of a city, moving from cafe to cafe, dreaming of the
beautiful life
*Preti Taneja*
I truly fell in love with this book. It gifts the reader, offering
complex human relationships, beautifully-written; I felt a genuine
sadness when each scene ended. Reading Diary of a Film, I was
powerfully reminded of the depth of the human heart, and of the
work which proceeds from it
*Okechukwu Nzelu*
Immensely talented
*i newspaper*
Niven Govinden's Diary of a Film, his sixth novel, is also his best
yet. Smart, sexy and cinematic (in many senses), it is a love
letter to Italy and to film
*Observer*
One for literary fiction fans, Niven's prose is intoxicating
*Cosmopolitan*
Immersive . . . This is a wise and skilfully controlled novel that
can be read in an afternoon, but which radiates in the mind for
much longer
*Financial Times*
Govinden's prose flows with the smooth lilt of a moving camera . .
. an outstanding, luxurious novel
*The i*
Fall into its rhythms, and a few nights at a film festival will
become an existential exploration of the creative process
*The Skinny*
A beautiful, poignant novel of love and longing . . . This tale of
a director beguilingly captures the agony of making a film - and
letting the public see it
*Telegraph*
A sophisticated and sensitive book about storytelling and queer
kinship
*Attitude*
Elegant . . . In a strong, clear tone that's unfettered by
hyperbole, Govinden allows us access to the narrator's mind as he
muses on love, work and who should tell whose stories
*Monocle*
A beguiling exploration of artistic obsession
*The Guardian*
It is a book about the dysfunctions of grief and about what rights
the artist has to take liberties with somebody else's story.
Gorgeously written, Diary of a Film is a book quite ripe,
fittingly, for film adaptation
*Literary Review*
Because this is a novel of introspection - the narrator ponders his
relationship to his lead actors, themselves embarking on a
relationship with one another, and his life's work - its tone is
one of intimacy and shared confidences that draws the listener ever
further inwards
*Financial Times*
What a pleasure it is to read this love letter to art and to human
connection (fragile, powerful, transforming), at a time when we're
masked and lonesome and can't kiss our own hand without washing it
afterwards
*New Statesman*
Stole my heart . . . it captures a sense of the fragility and
intimacy of human endeavour, but also the silence and resilience
needed to survive as a woman, a man, as lovers and as artists in a
market-driven world.
*New Statesman Book of the Year*
A passionate director goes to an Italian film festival for the
premiere of his latest work. He meets a young woman. They share a
cigarette, talk for hours about coffee and gentrification, before
she takes him to see a painted mural in an empty apartment block.
If Diary of a Film is filmic in spirit, it is not a straightforward
paean to art. The book continually returns to the inadequacy of art
at representing real life, which, as the narrator realises, "would
continue to burn long after the life of the film". Govinden handles
it all with great subtlety, posing probing questions but never
letting dogma get in the way of what is an outstanding, luxurious
novel
*i News, Best Books of the Year*
Niven Govinden's sixth novel is an unequivocal triumph; everything
in his practice has come together . . . With great subtlety,
Govinden helps us see we are on a journey of discovery ourselves,
as to who owns stories, and who has the right to tell them.
*Paul Mendez*
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