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Made in the Americas reveals the largely overlooked history of the profound influence of Asia on the arts of the colonial Americas. Beginning in the 16th century, European outposts in the New World, especially those in New Spain, became a major nexus of the Asia export trade. Craftsmen from Canada to Peru, inspired by the sophisticated designs and advanced techniques of these imported goods, combined Asian styles with local traditions to produce unparalleled furniture, silverwork, textiles, ceramics, lacquer, painting, and architectural ornaments. Among the exquisite objects featured in this book, from across the hemisphere and spanning the 17th to the early 19th centuries, are folding screens made in Mexico, in imitation of imported Japanese and Chinese screens; blue-and-white talavera ceramics copied from Chinese porcelains; luxuriously woven textiles, made to replicate fine silks and cottons from China and India; devotional statues that adapt Buddhist gods into Christian saints; and japanned furniture produced in Boston that simulates Asian lacquer finishes. The stories these objects tell, compellingly related by leading art historians, bring to life the rich cultural interchange and the spectacular arts of the first global age.
Made in the Americas reveals the largely overlooked history of the profound influence of Asia on the arts of the colonial Americas. Beginning in the 16th century, European outposts in the New World, especially those in New Spain, became a major nexus of the Asia export trade. Craftsmen from Canada to Peru, inspired by the sophisticated designs and advanced techniques of these imported goods, combined Asian styles with local traditions to produce unparalleled furniture, silverwork, textiles, ceramics, lacquer, painting, and architectural ornaments. Among the exquisite objects featured in this book, from across the hemisphere and spanning the 17th to the early 19th centuries, are folding screens made in Mexico, in imitation of imported Japanese and Chinese screens; blue-and-white talavera ceramics copied from Chinese porcelains; luxuriously woven textiles, made to replicate fine silks and cottons from China and India; devotional statues that adapt Buddhist gods into Christian saints; and japanned furniture produced in Boston that simulates Asian lacquer finishes. The stories these objects tell, compellingly related by leading art historians, bring to life the rich cultural interchange and the spectacular arts of the first global age.
A history of the first global and multicultural era presented through fine and decorative arts.
Dennis Carr is Carolyn and Peter Lynch Curator
of American Decorative Arts and Sculpture, Museum of Fine Arts,
Boston. He is the author of Made in the Americas: The New World
Discovers Asia and Common Wealth.
Gauvin Alexander Bailey is Professor and Alfred
and Isabel Bader Chair in Southern Baroque, Department of Art
History and Art Conservation, Queen's University, Kingston,
Ontario.
Timothy Brook holds the Republic of China Chair in
the Department of History and Institute of Asian Research,
University of British Columbia, Vancouver.
Mitchell Codding is Executive Director, The
Hispanic Society of America, New York.
Karina Corrigan is H. A. Crosby Forbes Curator,
Asian Export Art, Peabody Essex Museum.
Donna Pierce is Frederick & Jan Mayer Curator of
Spanish Colonial Art, Denver Art Museum.
A must-read catalog--Lee Lawrence "Wall Street Journal"
Made in the Americas tells the story of centuries of
cross-fertilization that followed the opening of trade between
Europe and Asia; the Americas, in the middle of many oceanic
routes, was the place where traditions melded in the most
imaginative ways.-- "The Economist"
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