This is the first comprehensive stand-alone reference to music in the South.Southern music has flourished as a meeting ground for the traditions of West African and European peoples in the region, leading to the evolution of various traditional folk genres, bluegrass, country, jazz, gospel, rock, blues, and southern hip-hop. This much-anticipated volume in ""The New Encyclopedia of Southern Culture"" celebrates an essential element of southern life and makes available for the first time a stand-alone reference to the music and music makers of the American South.With nearly double the number of entries devoted to music in the original Encyclopedia, this volume includes 30 thematic essays, covering topics such as ragtime, zydeco, folk music festivals, minstrelsy, rockabilly, white and black gospel traditions, and southern rock. And it features 174 topical and biographical entries, focusing on artists and musical outlets. From Mahalia Jackson to R.E.M., from Doc Watson to OutKast, this volume considers a diverse array of entertaining topics, drawing on the best historical and contemporary scholarship on southern music. It is a book for all southerners and for all serious music lovers, wherever they live.
This is the first comprehensive stand-alone reference to music in the South.Southern music has flourished as a meeting ground for the traditions of West African and European peoples in the region, leading to the evolution of various traditional folk genres, bluegrass, country, jazz, gospel, rock, blues, and southern hip-hop. This much-anticipated volume in ""The New Encyclopedia of Southern Culture"" celebrates an essential element of southern life and makes available for the first time a stand-alone reference to the music and music makers of the American South.With nearly double the number of entries devoted to music in the original Encyclopedia, this volume includes 30 thematic essays, covering topics such as ragtime, zydeco, folk music festivals, minstrelsy, rockabilly, white and black gospel traditions, and southern rock. And it features 174 topical and biographical entries, focusing on artists and musical outlets. From Mahalia Jackson to R.E.M., from Doc Watson to OutKast, this volume considers a diverse array of entertaining topics, drawing on the best historical and contemporary scholarship on southern music. It is a book for all southerners and for all serious music lovers, wherever they live.
Bill C. Malone, widely recognized as country music's ranking senior authority, is professor emeritus of history at Tulane University and the author of many books about country music. David Stricklin, associate professor of history at Lyon College, is the author of A Genealogy of Dissent: Southern Baptist Protest in the Twentieth Century.
"A substantial revision and updating of this monumental work. . . .
The entries in the Music volume are well written, accessible, and
insightful, and collectively, they make fascinating reading and
provide a useful resource for checking basic historical and
biographical facts. . . . A first-rate reference work and the only
one, at least in a single volume, that covers all of the major
musical genres of the American South. It belongs on the bookshelves
of scholars and general readers alike who are interested in the
region, its culture, or American music." -- North Carolina
Historical Review
"Focuses on just about every musical genre one could think of. . .
. The articles . . . are uniformly excellent and place each musical
sub-group in proper context." -- Blues News
"The general reader or the scholar . . . will find this
encyclopedia a handy introduction to southern music." -- The
Alabama Review
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