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Interest in Martin Heidegger was recently reawakened by the revelations, in his newly published 'Black Notebooks', of the full terrible extent of his political commitments in the 1930s and 1940s. The revelations reminded us of the dark allegiances co-existing with one of the profoundest and most important philosophical projects of the twentieth century-one that is of incomparable importance for literature and especially for poetry, which Heidegger saw as embodying a receptiveness to Being and a resistance to the instrumental tendencies of modernity. Poetry and the Question of Modernity: From Heidegger to the Present is the first extended account of the relationship between Heidegger's philosophy and the modern lyric. It argues that some of the best-known modern poets in German and English, from Paul Celan to Seamus Heaney and Les Murray, are in deep imaginative affinity with Heidegger's enquiry into finitude, language, and Being. But the work of each of these poets challenges Heidegger because each appeals to a transcendence, taking place in language, that is inseparable from the motion of encounter with embodied others. It is thus poetry which reveals the full measure of Heidegger's relevance in redefining modern selfhood, and poetry which reveals the depth of his blindness.
Interest in Martin Heidegger was recently reawakened by the revelations, in his newly published 'Black Notebooks', of the full terrible extent of his political commitments in the 1930s and 1940s. The revelations reminded us of the dark allegiances co-existing with one of the profoundest and most important philosophical projects of the twentieth century-one that is of incomparable importance for literature and especially for poetry, which Heidegger saw as embodying a receptiveness to Being and a resistance to the instrumental tendencies of modernity. Poetry and the Question of Modernity: From Heidegger to the Present is the first extended account of the relationship between Heidegger's philosophy and the modern lyric. It argues that some of the best-known modern poets in German and English, from Paul Celan to Seamus Heaney and Les Murray, are in deep imaginative affinity with Heidegger's enquiry into finitude, language, and Being. But the work of each of these poets challenges Heidegger because each appeals to a transcendence, taking place in language, that is inseparable from the motion of encounter with embodied others. It is thus poetry which reveals the full measure of Heidegger's relevance in redefining modern selfhood, and poetry which reveals the depth of his blindness.
Introduction
Poetry, philosophy, and modernity: Germany and beyond
Chapter One
Clearings: Finitude, historicity, and the space of poetry
Chapter Two
Straitenings: Paul Celan and world disclosure
Chapter Three
Lightenings: The shades of redress
Chapter Four
Earthings: Enlightenment, religion, and the poem of modernity
Ian Cooper is Lecturer in German at the University of Kent. He has published widely on German and English literature and on German philosophy. He wrote The Near and Distant God: Poetry, Idealism and Religious Thought from Hölderlin to Eliot (Legenda, 2008). He was co-editor of Aesthetics and Literature in Cambridge University Press’s multi-volume The Impact of Idealism: The Legacy of Post-Kantian German Thought (2013), and of Literature and Religion in the German-Speaking World: From 1200 to the Present Day (Cambridge University Press, 2019).
"Cooper’s argumentation overlaps and doubles back in a complex,
almost vertiginous manner and contains much more than can be
touched on here…anyone interested in the ramifications…for reading
poems in a philosophical and theological context will want to study
and quarrel with Ian Cooper’s rich, dense, forceful book."Charlie
Louth, The Times Literary Supplement
'A landmark achievement [...] Ian Cooper [...], with Poetry and the
Question of Modernity, has established himself as one of the most
inspiring scholars on poetology as a crucial constituent of
modernism'.
Rüdiger Görner, Queen Mary University of London, Modern Language
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