Table of Contents

Warning Sign
Contemporary Country Music
Something in My Eye
If We Should Ever Meet
Whoring
Five Didactic Tales
1. The Lonesome Vehicle
2. The Great House
3. The Fast Meal
4. The Vengeful Men
5. The Strange Nurse
Repenting
The New Year
The Buddy
Murder Ballad
Last Seen
I Shall Not Be Moved

Promotional Information

$3000 marketing and publicity budget
Advertising in Poets & Writers, Writers Chronicle, Rain Taxi Review of Books, music publications
Promotion in Sarabande's contest advertising
Promotion targeted to gay community and LGBT bookstores
Promotion targeted to musical community
Publicity and promotion through the author's strong contacts in the writing community
Newsletter and catalog feature mailed to contacts on Sarabande's database as well as contacts provided by Lee
E-postcard and additional promotional material to Lee's contact list
Internet marketing campaign to include announcement on Sarabande's national listserve as well as review copy mailing to online journals and blog

Reviews

"Ten of the 15 stories in this collection were previously published in literary journals and anthologies. Lee’s stories are intriguing and highly original, with a bent toward the weird, both in character and worldview. He is a master of voice, portraying the lives of men who are lost, lonely, and disturbed. He also has a penchant for the telling phrase. This line from the title story gives a taste of the narrator’s despair: 'I came from a place of no history to a place where history has no place for me.' His stories display the kind of humor that produces laughs and guilt at the same time. Lee’s chosen techniques are often brilliant. For the story 'Contemporary Country Music,' about a war veteran’s first night home from the war, Lee uses five voices, but all the narration is in the second person, and the result is a tour de force of short fiction writing. The work of a promising author worth watching, this collection belongs in any library with a short-fiction readership."
—Ellen Loughran, Booklist

“Reading Lee’s debut collection feels a bit like watching a black-and-white film by Jim Jarmusch. In both cases, down-and-out characters with odd, off-kilter ways of verbalizing their experience are filtered through the lens of a narrator/director who could very well have “something in his eye.”
—Sue Russell, Library Journal

“The range of genres is wide, with satires of country music lyrics, Kafkaesque parables about the anxiety of the living to avoid death, and a disturbing dialogue between a murderer in hell and his victim in heaven. . . . Lee is very successful in creating a dream-like, emotionally disconnected state throughout, with intentionally stilted dialogue and plots that tend to revolve around forms of symbolic gestures, physical violence, or sexual deviance.”
—Publisher’s Weekly

“Lee also utilizes a variety of structures that, once encountered, you can’t imagine the story told any other way.”
—S. Hope Mills, ForeWord Reviews

“I was drawn to Michael Jeffrey Lee’s line-up of loners and drifters, imperiled children and haunted psychos neither because I want to hang out with these bad boys, nor because I plan to cross the street when I see them coming, but because the invitation to inhabit their minds, to see the world through their eyes, and to watch their often unsettling stories play out in space and time enables Lee to do all sorts of extremely interesting things with consciousness and language.”
—Francine Prose

I am scared by these stories. But, as Jean Cocteau’s Belle tells her Beast, J’aime avoir peur. I like to be scared. These dark and beautiful tales offer a terrible thrill, a creepy adventure into the land of fairy-tale madmen. In Lee’s world, they’re just some bummed out regular guys, rendered in the most mealy and exquisite prose. I like to be scared by them, by this talent.
—Kate Bernheimer

"Relevant, startling and irresistible, Michael Lee's own unique brand of black humor makes for an extraordinary experience."
—Rikki Ducornet

"Ten of the 15 stories in this collection were previously published in literary journals and anthologies. Lee’s stories are intriguing and highly original, with a bent toward the weird, both in character and worldview. He is a master of voice, portraying the lives of men who are lost, lonely, and disturbed. He also has a penchant for the telling phrase. This line from the title story gives a taste of the narrator’s despair: 'I came from a place of no history to a place where history has no place for me.' His stories display the kind of humor that produces laughs and guilt at the same time. Lee’s chosen techniques are often brilliant. For the story 'Contemporary Country Music,' about a war veteran’s first night home from the war, Lee uses five voices, but all the narration is in the second person, and the result is a tour de force of short fiction writing. The work of a promising author worth watching, this collection belongs in any library with a short-fiction readership."
—Ellen Loughran, Booklist

“Reading Lee’s debut collection feels a bit like watching a black-and-white film by Jim Jarmusch. In both cases, down-and-out characters with odd, off-kilter ways of verbalizing their experience are filtered through the lens of a narrator/director who could very well have “something in his eye.”
—Sue Russell, Library Journal

“The range of genres is wide, with satires of country music lyrics, Kafkaesque parables about the anxiety of the living to avoid death, and a disturbing dialogue between a murderer in hell and his victim in heaven. . . . Lee is very successful in creating a dream-like, emotionally disconnected state throughout, with intentionally stilted dialogue and plots that tend to revolve around forms of symbolic gestures, physical violence, or sexual deviance.”
—Publisher’s Weekly

“Lee also utilizes a variety of structures that, once encountered, you can’t imagine the story told any other way.”
—S. Hope Mills, ForeWord Reviews

“I was drawn to Michael Jeffrey Lee’s line-up of loners and drifters, imperiled children and haunted psychos neither because I want to hang out with these bad boys, nor because I plan to cross the street when I see them coming, but because the invitation to inhabit their minds, to see the world through their eyes, and to watch their often unsettling stories play out in space and time enables Lee to do all sorts of extremely interesting things with consciousness and language.”
—Francine Prose

I am scared by these stories. But, as Jean Cocteau’s Belle tells her Beast, J’aime avoir peur. I like to be scared. These dark and beautiful tales offer a terrible thrill, a creepy adventure into the land of fairy-tale madmen. In Lee’s world, they’re just some bummed out regular guys, rendered in the most mealy and exquisite prose. I like to be scared by them, by this talent.
—Kate Bernheimer

"Relevant, startling and irresistible, Michael Lee's own unique brand of black humor makes for an extraordinary experience."
—Rikki Ducornet