Dora Hand was in a deep sleep. Her bare legs were exposed despite her thick blankets, and a mass of long, auburn hair stretched over her pillow and flowed off the side of her flimsy mattress. A framed, charcoal portrait of an elderly couple hung above her bed on the faded wallpaper and kept company with her slumber.The air outside the window next to the picture was still and cold. The distant sound of voices, back-slapping laughter, profanity, and a piano's tinny, repetitious melody wafted down the main thoroughfare in Dodge City, Kansas, and into the small room.Dodge was an all-night town, "the wickedest little city in America." The streets and saloons were always busy. Residents learned to sleep through the giggling, growling, and gunplay of the cowboys and their paramours for hire.Dora's dreams were seldom disturbed by the commotion, but the smack of a pair of bullets cutting through the walls of the tiny room cut through the routine nightly noises. The first bullet stuck in the dense plaster partition. The second struck Dora on the right side, just under her arm. There was no time for her to object to the injury; no moment for her to cry out or recoil in pain.In the near distance, a horse squealed and its galloping hooves echoed off the street and faded away.
Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron's son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.
Dora Hand was in a deep sleep. Her bare legs were exposed despite her thick blankets, and a mass of long, auburn hair stretched over her pillow and flowed off the side of her flimsy mattress. A framed, charcoal portrait of an elderly couple hung above her bed on the faded wallpaper and kept company with her slumber.The air outside the window next to the picture was still and cold. The distant sound of voices, back-slapping laughter, profanity, and a piano's tinny, repetitious melody wafted down the main thoroughfare in Dodge City, Kansas, and into the small room.Dodge was an all-night town, "the wickedest little city in America." The streets and saloons were always busy. Residents learned to sleep through the giggling, growling, and gunplay of the cowboys and their paramours for hire.Dora's dreams were seldom disturbed by the commotion, but the smack of a pair of bullets cutting through the walls of the tiny room cut through the routine nightly noises. The first bullet stuck in the dense plaster partition. The second struck Dora on the right side, just under her arm. There was no time for her to object to the injury; no moment for her to cry out or recoil in pain.In the near distance, a horse squealed and its galloping hooves echoed off the street and faded away.
Future legends of the Old West, Charlie Bassett, Bat Masterson, Wyatt Earp, and Bill Tilghman were the lawmen who patrolled the unruly streets. When a cattle baron's son fled town after the shooting of the popular saloon singer named Dora Hand, the four men--all experts with a gun who knew the harsh, desertlike surrounding terrain--hunted him down like "Thunder Over the Prairie." The posse's ride across the desolate landscape to seek justice influenced the men's friendship, their careers, and their feelings about the justice system. This account of that event is a fast-paced, cinematic glimpse into the Old West that was.
Foreword; Acknowledgments; Introduction; Murder of a Nightingale; Cold-Blooded Assassin; A Posse on the Move; Thunder over the Prairie; Caught in a Storm; Beyond the River; Waiting for a Killer; Captured; The Gunman's Trial; End of the Trail; Suggested Further Reading; Index; About the Authors
Howard Kazanjian is an award-winning producer and entertainment executive who has been producing feature films and television programs for more than twenty-five years. While vice president of production for Lucasfilm Ltd., he produced two of the highest grossing films of all time: Raiders of the Lost Ark and Star Wars: Return of the Jedi. He also managed production of another top-ten box-office hit, The Empire Strikes Back. Some of his other notable credits include The Rookies, Demolition Man, and the two-hour pilot and first season of J.A.G.In addition to his production experience, Kazanjian has worked with some of the finest directors in the history of cinema. He has worked closely with such legends as Alfred Hitchcock, Billy Wilder, Sam Peckinpah, Robert Wise, Joshua Logan, Clint Eastwood, George Lucas, Steven Spielberg, and Francis Ford Coppola. He is a longtime voting member in the Academy of Motion Picture Arts and Sciences, the Academy of Television Arts and Sciences, the Producers Guild of America, and the Directors Guild of America. The California native is also a trustee of Azusa Pacific University. Chris Enss is an award-winning screen writer who has written for television, short subject films, live performances, and for the movies, and is the co-author (with JoAnn Chartier) of Love Untamed: True Romances Stories of the Old West, Gilded Girls: Women Entertainers of the Old West, and She Wore A Yellow Ribbon: Women Patriots and Soldiers of the Old West and The Cowboy and the Senorita and Happy Trails (with Howard Kazanjian). Her most recent books include Buffalo Gals: Women of Buffalo Bill's Wild West Show and How the West was Worn. Enss has done everything from stand-up comedy to working as a stunt person at the Old Tucson Movie Studio. She learned the basics of writing for film and television at the University of Arizona, and she is currently working with Return of the Jedi producer Howard Kazanjian on the movie version of The Cowboy and the Senorita, their biography of western stars Roy Rogers and Dale Evans.
I just finished "Thunder Over the Prairie." It was fantastic! The story was totally captivating. I love the way we started by meeting Dora, and were given just enough information about her to grow to like her and then she's taken away from us. I guess that's kind of how her life was. The reader feels just like the people of Dodge City must have felt, to lose her so early and tragically. Then we meet the posse. The names are all familiar but their stories not as well known. To hear them swap stories between themselves, then to read their histories, gets us to understand how it is that they are all here at this particular time and together for this event. You feel that they're destined to succeed in capturing this animal. How could they fail? I loved the book and have recommended it to others already. Dale Warshaw, Literary CriticKMSB TV Tucson, AZ. Thunder Over the Prairie, written with cinematic clarity and a galloping pace, is a wonderful primer for the considerable literature on Bat Masterson, Wyatt Earp et. al. This accessible narrative of a fascinating episode in the careers of these well-known western icons is filled with characters that are archetypal yet utterly fresh at the same time. This charming book is the perfect read for anyone lingering over a drink (or two) in a dusty western saloon on a lazy afternoon. Jay O'Connell, author of Train Robber's Daughter: The Melodramatic Life of Eva Evans, 1876-1970 "Lawmen, cowboys, songbirds and soiled doves...it doesn't get much better. A shooting, a chase and a trial whose verdict changes all of their lives. Thunder Over the Prairie is a great story from the history of our American West, warts and all." Dakota & Sunny LivesayChronicles of the Old West
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