Longlisted for the HWA Non-Fiction Crown Award 2023 The history of a demonic tradition that was stolen from women - and then won back again. 'Remarkable work... Extraordinary, meticulous detail' Literary Review 'Deftly fuses scholarly rigour, control of literary and archaeological sources' BBC History Magazine Creatures like Lilith, the seductive first wife of Adam, and mermaids, who lured sailors to their death, are familiar figures in the genre of monstrous temptresses who use their charms to entice men to their doom. But if we go back 4,000 years, the roots of these demons lie in horrific creatures like Lamashtu, a lion-headed Mesopotamian demon who strangled infants and murdered pregnant women, and Gello, a virgin ghost of ancient Greece who killed expectant mothers and babies out of jealousy. Far from enticing men into danger and destruction, these monsters were part of women's ritual practices surrounding childbirth and pregnancy. So how did their mythology evolve into one focused on the seduction of men? Sarah Clegg takes us on an absorbing and witty journey from ancient Mesopotamia to the present day, encountering a multitude of serpentine succubi, a child-eating wolf-monster of ancient Greece, the Queen of Sheba and a host of vampires. Clegg shows how these demons were appropriated by male-centred societies, before they were eventually recast as symbols of women's liberation, offering new insights into attitudes towards womanhood, sexuality and women's rights.
Longlisted for the HWA Non-Fiction Crown Award 2023 The history of a demonic tradition that was stolen from women - and then won back again. 'Remarkable work... Extraordinary, meticulous detail' Literary Review 'Deftly fuses scholarly rigour, control of literary and archaeological sources' BBC History Magazine Creatures like Lilith, the seductive first wife of Adam, and mermaids, who lured sailors to their death, are familiar figures in the genre of monstrous temptresses who use their charms to entice men to their doom. But if we go back 4,000 years, the roots of these demons lie in horrific creatures like Lamashtu, a lion-headed Mesopotamian demon who strangled infants and murdered pregnant women, and Gello, a virgin ghost of ancient Greece who killed expectant mothers and babies out of jealousy. Far from enticing men into danger and destruction, these monsters were part of women's ritual practices surrounding childbirth and pregnancy. So how did their mythology evolve into one focused on the seduction of men? Sarah Clegg takes us on an absorbing and witty journey from ancient Mesopotamia to the present day, encountering a multitude of serpentine succubi, a child-eating wolf-monster of ancient Greece, the Queen of Sheba and a host of vampires. Clegg shows how these demons were appropriated by male-centred societies, before they were eventually recast as symbols of women's liberation, offering new insights into attitudes towards womanhood, sexuality and women's rights.
A history of a demonic tradition that was stolen from women – and then won back again.
Sarah Clegg has a PhD in the ancient history of Mesopotamia from Cambridge University, and reads Sumerian, Akkadian, Arabic, Greek and Latin. Her fascination with Lamashtu began with her BA thesis at Oxford and she has been researching these monsters and their demonic tradition as a passion project ever since. Clegg was selected as one of the 2020/21 cohort of the London Library Emerging Writers Programme. She lives in London and works in heritage publishing.
[A] remarkable work... Extraordinary, meticulous detail
*Literary Review*
A rewarding and profound study
*Literary Review*
A delightful romp through four thousand years’ worth of sinister
superstition, offering an empathetic interpretation of these
supernatural creatures, so-called monsters, with a particular focus
on women’s experiences of them. Sarah Clegg provides
thought-provoking insights into a range of beliefs and practices so
often overlooked by mainstream history.
*Jane Draycott*
Woman's Lore is a fascinating exploration of the mythology and
trope of the 'demonic woman' that has existed for centuries and
persists even today. Thoughtfully researched, it is an empowering
and enlightening read.
*Catherine Cho*
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