Name: Ignition [Remaster]
Brand: Plastic Head Music Dist. Ltd
SKU: 1423179
Price: 27.89 NZD
Availability: InStock

Ignition [Remaster]

By Waite John (Recorded By)

Rating

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Format

CD (1 Disc)

Release Date

1 February 2006

Our Price

$27.89

Ships from UK Estimated delivery date: 9th Apr - 16th Apr from UK

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EAN

5051068000926

Writer

Waite John (Recorded By)

Producer

Neil Giraldo

Country

USA

Studio/Live

Studio

Label

Plastic Head Music Dist. Ltd

Dimensions

12.5 x 14.2 x 1 centimetres (0.03 kg)

Performer Notes

Here's some ferocious John Waite, pre-"Missing You."
Personnel: John Waite (vocals); Ilana Morrillo, Rahni Kugel, Patty Smyth (vocals, background vocals); Don Nossov (vocals); Ivan Kr l (guitar, piano, keyboards); Tim Pierce (guitar); Crispin Cioe, Arno Hecht, Paul Litterall (horns); Bruce Brody (piano, keyboards); Frankie La Rocka, Alan Childs (drums); Dave Lang, John Elijah Wright, Brendan Bourke (hand claps).
Audio Mixers: Neil Giraldo; Bob Clearmountain.
Audio Remasterer: Jon Astley.
Liner Note Authors: Dante Bonutto; Stephen Allen; Howard Glover "Johnny" Johnson; Derek Oliver.
Recording information: The Power Station, New York, NY.
John Waite had known stardom as a member of the Babys, a British quartet that had a brief run on the American charts in the late '70s and early '80s. During the heyday of punk rock, they were unapologetic stadium rockers with their feet planted firmly in the mainstream, and it worked -- they just missed the Top Ten with "Every Time I Think of You" and "Isn't It Time." That was nothing compared to what would follow when Waite's solo career finally took off, yet it took a little effort for that career to gain momentum. He released his first solo album, Ignition, in the summer of 1982. Musically, the record certainly took its cues from the Babys, but it was also a product of its times, exhibiting a considerable new wave production sheen. That much was evident from the surging opener "White Heat," with its glistening, processed guitars and tight rhythms. It's the sound of stylized, commercial mainstream rock in the early '80s, and the rest of Ignition follows this pattern to an appealing end. True, the record has a couple of moments that seem like filler, but not in a bad way; that's because the production sounds good, and Waite's performances are always inspired. The problem is that no matter how well-crafted Ignition is, none of its songs are total knockouts -- the kind of single that would break down the doors to mainstream radio, regardless of whether it was given a push. And so, even though it was a very good solo debut, Ignition withered on the vine. ~ Stephen Thomas Erlewine

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