Rolling Stone (12/11/03, p.106) - Ranked #33 in Rolling Stone's "500 Greatest Albums Of All Time" - "...An intense blast of guitar power, rhythmic simplicity and ferocious brevity..."

Spin (5/01, p.108) - Ranked #1 in Spin's "50 Most Essential Punk Records" - "...The apotheosis of punk....Blitzkrieg pop stripped down to its 1-2-3-4..."

Spin - Included in Spin's list of Top Ten College Cult Classics "everything good that's happened to music in the last fourteen years can be directly traced to The Ramones".

Q (5/02 SE, p.140) - Included in Q's "100 Best Punk Albums".

Q (8/01, pp.156-7) - 4 stars out of 5 - "...Amongst their best work....the tunes have lasted...creating a similar effect to an early Beatles album: pleasure heading directly to the brain..."

Uncut (8/01, p.94) - 5 stars out of 5 - "...Easily one of the 10 best first-footings in rock'n'roll history....Even today it still pricks senses....As an exemplary definition of rock'n'roll RAMONES is infallible..."

Mojo (Publisher) (3/03, p.76) - Ranked #4 in Mojo's "Top 50 Punk Albums" - "...The coolest, dumbest, simplest, greatest rock'n'roll record ever to be cut by four sweet, dysfunctional screw-ups..."

NME (Magazine) (6/23/01, p.41) - 10 out of 10 - "...The most toweringly aggressive, misleadingly primitive, perfectly phrased musical statement ever made....The demos and alternate versions included demonstrate how finely honed every gangly gesture was from the very beginning..."

Uncut (magazine) - "The Ramones, like Warhol or Lichtenstein, were masters of doing one thing brilliantly and repetitively - something reinforced by the second disc of this set, which contains singles and unreleased demos, including tracks that would appear on subsequent albums..."